Introduction and Welcome

Welcome to All Things Bright and Beautiful. If you are new to this site, I would recommend that you read my very first entry - which is an introduction and welcome to this blog. You can view it here

Thursday, June 11, 2015

Albert Anker - Baby on the Table, Hector Berlioz - Harold in the Mountains Part II, Robert Browning - Tray

Such sweet expressions in this Albert Anker painting.  There are tell-tale details in furnishings and setting that are interesting to note.  



Today we'll listen to the second part of Harold in Italy - Harold in the Mountains Part IIHector Berlioz's music is dramatic and intense. 

You may or may want to quit reading at line 37 as the last bit of the poem may not be suitable for young children - but I appreciate Robert Browning's twist of sarcastic humor and insight into humanity, and the poem is a good story. 

             Tray
Sing me a hero! Quench my thirst
Of soul, ye bards!
Quoth Bard the first:
"Sir Olaf, the good knight, did don 3
His helm, and eke his habergeon ..."
Sir Olaf and his bard----!

"That sin-scathed brow" (quoth Bard the second), 6
"That eye wide ope as tho' Fate beckoned
My hero to some steep, beneath
Which precipice smiled tempting Death ..."
You too without your host have reckoned! 10

"A beggar-child" (let's hear this third!)
"Sat on a quay's edge: like a bird
Sang to herself at careless play,
And fell into the stream. 'Dismay!
Help, you the standers-by!' None stirred.

"Bystanders reason, think of wives
And children ere they risk their lives.
Over the balustrade has bounced
A mere instinctive dog, and pounced
Plumb on the prize. 'How well he dives! 20

"'Up he comes with the child, see, tight
In mouth, alive too, clutched from quite
A depth of ten feet--twelve, I bet!
Good dog! What, off again? There's yet
Another child to save? All right!

"'How strange we saw no other fall!
It's instinct in the animal.
Good dog! But he's a long while under:
If he got drowned I should not wonder--
Strong current, that against the wall! 30

"'Here he comes, holds in mouth this time
--What may the thing be? Well, that's prime!
Now, did you ever? Reason reigns
In man alone, since all Tray's pains
Have fished--the child's doll from the slime!'

"And so, amid the laughter gay,
Trotted my hero off,--old Tray,--
Till somebody, prerogatived
With reason, reasoned: 'Why he dived,
His brain would show us, I should say. 40

"'John, go and catch--or, if needs be,
Purchase that animal for me!
By vivisection, at expense
Of half-an-hour and eighteen pence,
How brain secretes dog's soul, we'll see!'"

Friday, June 5, 2015

Albert Anker, Hector Berlioz - Harold in Italy, Robert Browning - A Tale

Are you enjoying summer yet?  For me, it gets harder to set aside the time for art, music, and poetry as we take summers off from formal schooling to garden.  But then, we also find so many more natural opportunities for nature study and exploration, which makes summer a pleasure.  For the past few summers we've tried to fit most of our work into Monday through Thursday so we can clean house quick Friday morning and head to a local park for lunch and nature time, swimming, hiking, and playing on the playground.  The older girls often bring a book and Lizzy sometimes brings her harp - it's very peaceful and relaxing.  I'm looking forward to our Fridays at the park this summer.  This week's painting by Albert Anker looks like a grand nature walk in progress. 



Today's piece of music by Hector Berlioz is from Harold in Italy.  You can listen to the First Movement of Harold In Italy here. I like the part featuring the viola.  Here is Wikipedia's article on Harold in Italy.  You can also listen to the entire work here.  You may also want to pursue the poem that this work is named for Childe Harold's Pilgrimage by Lord Byron and the poem itself - Gutenburg Project's Childe Harold's Pilgrimage.  I haven't read this poem yet, but it may see if I can find time yet this week. 


Our poem this week by Robert Browning 
                A Tale
What a pretty tale you told me
  Once upon a time
--Said you found it somewhere (scold me!)
  Was it prose or was it rhyme,
Greek or Latin? Greek, you said,
While your shoulder propped my head.Anyhow there's no forgetting
  This much if no more,
That a poet (pray, no petting!)
  Yes, a bard, sir, famed of yore,                                           10
Went where suchlike used to go,
Singing for a prize, you know.

Well, he had to sing, nor merely
  Sing but play the lyre;
Playing was important clearly
  Quite as singing: I desire,
Sir, you keep the fact in mind
For a purpose that's behind.

There stood he, while deep attention
  Held the judges round,                                                     20
--Judges able, I should mention,
  To detect the slightest sound
Sung or played amiss: such ears
Had old judges, it appears!

None the less he sang out boldly,
  Played in time and tune,
Till the judges, weighing coldly
  Each note's worth, seemed, late or soon,
Sure to smile "In vain one tries
Picking faults out: take the prize!"                                         30

When, a mischief! Were they seven
  Strings the lyre possessed?
Oh, and afterwards eleven,
  Thank you! Well, sir,--who had guessed
Such ill luck in store?--it happed
One of those same seven strings snapped.

All was lost, then! No! a cricket
  (What "cicada"? Pooh!)
--Some mad thing that left its thicket
  For mere love of music--flew                                               40
With its little heart on fire,
Lighted on the crippled lyre.

So that when (Ah joy!) our singer
  For his truant string
Feels with disconcerted finger,
  What does cricket else but fling
Fiery heart forth, sound the note
Wanted by the throbbing throat?

Ay and, ever to the ending,
  Cricket chirps at need,                                                    50
Executes the hand's intending,
  Promptly, perfectly,--indeed
Saves the singer from defeat
With her chirrup low and sweet.

Till, at ending, all the judges
  Cry with one assent
"Take the prize--a prize who grudges
  Such a voice and instrument?
Why, we took your lyre for harp,
So it shrilled us forth F sharp!"                                            60

Did the conqueror spurn the creature
  Once its service done?
That's no such uncommon feature
  In the case when Music's son
Finds his Lotte's power too spent                                           65
For aiding soul development.

No! This other, on returning
  Homeward, prize in hand,
Satisfied his bosom's yearning:
   (Sir, I hope you understand!)                                             70
--Said "Some record there must be
Of this cricket's help to me!"

So, he made himself a statue:
   Marble stood, life size;
On the lyre, he pointed at you,
   Perched his partner in the prize;
Never more apart you found
Her, he throned, from him, she crowned.

That's the tale: its application?
   Somebody I know                                                           80
Hopes one day for reputation
  Thro' his poetry that's--Oh,
All so learned and so wise
And deserving of a prize!

If he gains one, will some ticket
   When his statue's built,
Tell the gazer "'Twas a cricket
   Helped my crippled lyre, whose lilt
Sweet and low, when strength usurped
Softness' place i' the scale, she chirped?                                   90

"For as victory was nighest,
  While I sang and played,--
With my lyre at lowest, highest,
   Right alike,--one string that made
'Love' sound soft was snapt in twain
Never to be heard again,--

"Had not a kind cricket fluttered,
   Perched upon the place
Vacant left, and duly uttered
   'Love, Love, Love,' whene'er the bass                                    100
Asked the treble to atone
For its somewhat sombre drone."

But you don't know music! Wherefore
   Keep on casting pearls
To a--poet? All I care for
   Is--to tell him that a girl's
"Love" comes aptly in when gruff
Grows his singing, (There, enough!)







Thursday, May 28, 2015

Albert Anker, Hector Berlioz - La Folia, Robert Browning - A Face

There's something sweet and charming about this painting by Albert Anker.  A print of this painting would make a nice cover for a commonplace notebook or a handwriting journal.  I like how he looks like he's taking such care with his writing and his little sister looks on admiringly.


I found this lovely guitar piece by Hector Berlioz I don't know what the title means but I like the music....  Hope you do, too.  La Folia Hector Berlioz.

Our poem this week by Robert Browning


                          A Face
If one could have that little head of hers
Painted upon a background of pure gold,
Such as the Tuscan's early art prefers!
No shade encroaching on the matchless mould
Of those two lips, which should be opening soft
In the pure profile; not as when she laughs,
For that spoils all: but rather as if aloft
Yon hyacinth, she loves so, leaned its staff's
Burden of honey-colored buds to kiss
And capture 'twixt the lips apart for this.
Then her little neck, three fingers might surround,
How it should waver on the pale gold ground
Up to the fruit-shaped, perfect chin it lifts!
I know, Correggio loves to mass, in rifts
Of heaven, his angel faces, orb on orb
Breaking its outline, burning shades absorb:
But these are only massed there, I should think,
Waiting to see some wonder momently
Grow out, stand full, fade slow against the sky
(That's the pale ground you'd see this sweet face by),
All heaven, meanwhile, condensed into one eye
Which fears to lose the wonder, should it wink.

Tuesday, May 19, 2015

Albert Anker - Young Mother Contemplating Her Sleeping Child by Candlelight, Hector Berlioz - Waverly Overture Op.1,, Robert Browning - Misconceptions

I'm sending this out two days early this week because I'm going to be busy the next two days helping my daughter-in-law get food into the freezer for the upcoming birth of their new baby, so I won't have internet access for a couple of days, but I didn't want to miss a week....  I've also had trouble being able to answer comments because our computer protections are too strong and I need my husband to temporarily disable them so I can answer comments.  I do read and appreciate any comments!!  I love hearing from you! 

This painting of a mother and her sleeping daughter by Albert Anker warms my heart!

Young Mother Contemplating Her Sleeping Child by Candlelight

Our piece this week is Waverly Overture Op.1 by Hector Berlioz.  Hector Berlioz's music is a bit like our Minnesota weather - if you don't like it, wait a few minutes and it will change.  I'm still having mixed feelings about his music, but there are parts of each piece that I really like.  This piece is no exception.  I've also noticed that each piece seems to end with a dramatic fanfare. 

And our poem by Robert Browning is - Misconceptions

This is a spray the Bird clung to,
Making it blossom with pleasure,
Ere the high tree-top she sprung to,
Fit for her nest and her treasure.
Oh, what a hope beyond measure
Was the poor spray's, which the flying feet hung to,—
So to be singled out, built in, and sung to!

This is a heart the Queen leant on,
Thrilled in a minute erratic,
Ere the true bosom she bent on,
Meet for love's regal dalmatic.
Oh, what a fancy ecstatic
Was the poor heart's, ere the wanderer went on—
Love to be saved for it, proffered to, spent on!




Thursday, May 14, 2015

Albert Anker - Girl with Calico Kittens, Hector Berlioz - The Tempest Overture, Robert Browning -

I have a calico cat named Madeline.  This week's painting by Albert Anker reminds me of her.



Our music by Hector Berlioz this week is the first half of The Tempest Overture.  It is another overture based on a work of Shakespeare.  The note on the bottom of this youtube video is a helpful introduction to this piece. 

This week's poem is a bit sad - makes me think of Robert Browning wandering the house missing Elizabeth after she was gone.  

Here is a link to all of Librivox's offerings on or by Robert Browning.  I'd like to recommend the Day With Great Composers - Robert Browning is the last chapter. 

    Love in a life


Room after room,
I hunt the house through
We inhabit together.
Heart, fear nothing, for, heart, thou shalt find her,
Next time, herself!—not the trouble behind her
Left in the curtain, the couch's perfume!
As she brushed it, the cornice-wreath blossomed anew,— 
Yon looking-glass gleamed at the wave of her feather.

Yet the day wears,
And door succeeds door;
I try the fresh fortune— 
Range the wide house from the wing to the centre.
Still the same chance! she goes out as I enter.
Spend my whole day in the quest,—who cares?
But 'tis twilight, you see,—with such suites to explore,
Such closets to search, such alcoves to importune!







Thursday, May 7, 2015

Albert Anker - The Devotion of His Grandfather, Hector Berlioz - The Damnation of Faust-Hungarian March, Robert Browning - Epilogue

"The Devotion of His Grandfather" our Albert Anker painting this week, is a touching scene. The sharing of a good book is a wonderful gift.  I wonder if there are older people in our lives who would find a blessing in having our children read to them.


Hector Berlioz - The Damnation of Faust - Hungarian March.

Here is a link to Wikipedia's article on this oratorio.


I'm not sure I understand Robert Browning's poetry - it is complex and illusive, yet I feel that it is beautiful....
 
                               Epilogue 

 At the midnight in the silence of the sleep-time,
When you set your fancies free,
Will they pass to where--by death, fools think, imprisoned--
Low he lies who once so loved you, whom you loved so,
--Pity me?

Oh to love so, be so loved, yet so mistaken!
What had I on earth to do
With the slothful, with the mawkish, the unmanly?
Like the aimless, helpless, hopeless, did I drivel
--Being--who?

One who never turned his back but marched breast forward,
Never doubted clouds would break,
Never dreamed, though right were worsted, wrong would triumph,
Held we fall to rise, are baffled to fight better,
Sleep to wake.

No, at noonday in the bustle of man's work-time
Greet the unseen with a cheer!
Bid him forward, breast and back as either should be,
"Strive and thrive!" cry "Speed,--fight on, fare ever
There as here!"

Friday, May 1, 2015

Albert Anker - Girl with Dominoes, Berlioz - Romeo and Juliet, Robert Browning - Home Thoughts from Abroad

I finally got my Albert Anker paintings printed on card stock at our local Office Max.  It costed about $10 for all fifteen and I'm happy with them .  Somehow looking at a hard copy is much better than veiwing them online.  One of my girls asked, "Are you going to frame them?"  But how would I frame all of them and where would I put them up?  I thought about putting them in plastic sleeves in a 3-ring binder and will probably do that when we switch to a new artist, but for now my daughter suggested that I tape them to the wall in the dining room where we can look at them all regularly - so there the first few are, and we will add one a week as we study them.  Here is the link in case you haven't had a chance to copy them yet and want to do it: Picasa Web Album of Albert Anker Paintings.  This week's painting is a girl playing with dominoes.




This week, another Shakespeare play-based  piece by Hector Berlioz, Romeo and Juliet.  You can listen to it in its entirety Berlioz - Romeo and Juliet

And our poem this week by Robert Browning is Home Thoughts from Abroad --

OH, to be in England
Now that April 's there,
And whoever wakes in England
Sees, some morning, unaware,
That the lowest boughs and the brushwood sheaf
Round the elm-tree bole are in tiny leaf,
While the chaffinch sings on the orchard bough
In England—now!

And after April, when May follows,
And the whitethroat builds, and all the swallows!
Hark, where my blossom'd pear-tree in the hedge
Leans to the field and scatters on the clover
Blossoms and dewdrops—at the bent spray's  
      edge—
That 's the wise thrush; he sings each song twice
      over,
Lest you should think he never could recapture
The first fine careless rapture!
And though the fields look rough with hoary dew,
All will be gay when noontide wakes anew
The buttercups, the little children's dower
—Far brighter than this gaudy melon-flower!